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Unión Nacional Española

Los pacientes del doctor García

The Unión Nacional Española is an underground anti-Franco coalition conceived as a bridge between democratic groups that otherwise shared little beyond opposition to dictatorship. Its promise of unity briefly gives the narrator a practical political purpose, but the failed invasion of the Aran Valley and the sudden disappearance of its leader expose the distance between clandestine aspiration and political reality.

Origins and Political Aim

In July 1943, Pepe brings the narrator to a chalet in Ciudad Lineal, where Jesús Monzón sets out the need to prepare for the moment when the Allies defeat the Axis. Monzón argues for alliances among democratic forces, including Basque nationalists, anarchists of the CNT, and non-fascist elements in monarchist and conservative circles. He says that the country’s interests must take precedence over those of the Communist Party, and presents the Unión Nacional Española as the organization that will work underground against the dictatorship until democratic forces can return to power.

The project’s breadth answers both a strategic and a political problem. Monzón expects the postwar defeat of the Axis to create an opportunity to restore the Republic and civil liberties; he therefore wants a coalition ready to act rather than a collection of factions waiting separately for events to turn in their favor. His appeal is not simply to party loyalty. When the narrator doubts that he has anything to contribute, Monzón points to his work in a transport agency, where he meets people of different classes and political positions. He values the narrator as someone able to observe daily life, listen, and interpret what people do not say. The narrator accepts immediately, moved by the idea that the country’s interests might outrank his private concerns.

The Narrator’s Place in the Underground

The narrator later learns that Monzón is the secretary general of the Communist Party of Spain both in France and within Spain. That knowledge does not alter his decision: he believes Monzón’s appeal and would have joined even if he had understood the full party connection at the time. His recruitment folds his ordinary civilian work into the coalition’s clandestine purpose. He is useful not as a public leader or theorist but as an observer whose access to everyday contacts can supply information unavailable to someone less free to move.

After the initial approach, the narrator returns repeatedly to the Ciudad Lineal house. Invitations arrive three or four days in advance; the door opens from within at the appointed time. No one gives a name or expects to hear one. Meetings of roughly ten or twelve participants last about two hours, bringing different views into cordial, though not intimate, discussion. Members leave separately and at staggered intervals. The narrator does not know how many other meetings take place or who attends them: the participants vary, and the organization’s secrecy limits his view of its own reach.

The meetings continue for more than a year. At first, Elena is the only woman present; later the narrator meets a small number of other women, including older participants who appear to be officials or teachers and younger women marked by militant fervor. The gathering is thus not presented as a fixed membership assembled in public, but as a discreet and shifting network whose deliberations depend on anonymity and controlled movement.

Geni, Monzón, and the Coalition’s Turning Point

In February 1944, a strikingly elegant woman arrives and addresses Monzón as “Sito.” He greets her warmly, embraces and kisses her, and invites her to sit beside the narrator without introducing herself. Her ease with the coalition’s leader contrasts with the anonymity maintained by everyone else in the room; the nickname makes their familiarity unmistakable, even as the narrator remains outside its explanation. She is Geni. After that meeting, she asks the narrator for a light, and they leave together. She offers him a lift into the city because they live near one another, and they encounter each other again during 1944.

Their acquaintance develops alongside, but does not replace, their political connection. The narrator and Geni sleep together after meetings, but they do not arrange to meet outside the Unión Nacional’s schedule. She tells him about Fernando Villa, including his life, love, imprisonment, death, and the lasting resentment she feels toward those responsible. She says that she has three healthy children and recognizes her good fortune, but that resentment gives her the strength to rise each morning and sustains her through the day. She is willing to work with the Communists or anyone else against those she will never forgive. Her account places personal grief within the coalition’s political work: commitment is not only a program for restoring democratic rule but, for Geni, a means of continuing to resist those who destroyed the life she loved.

At the end of September 1944, the owner of the meeting house raises the possibility of moving troops across the Pyrenees to invade Spanish territory. Twenty days later, the Unión Nacional’s army occupies the Aran Valley. The narrator’s sequence of meetings and private encounters gives way to the failed invasion; after it collapses, he and Geni stop seeing each other. He misses her at times but does not seek her out, and gradually lets the relationship recede. Much later, after Manolo Arroyo confides in him, Geni’s face returns vividly to his thoughts during a night of anxious insomnia. The memory reopens an earlier period when organized resistance had seemed capable of joining political purpose, personal intimacy, and decisive action.

Failure, Dispersal, and Historical Significance

The narrator never sees Monzón again after the Aran Valley invasion. That abrupt ending is the organization’s defining narrative reversal: the coalition had been built around preparation for a democratic opening, yet its most consequential action does not produce the return to power its members anticipated. The disappearance of its leader and the end of the narrator’s meetings leave the coalition’s later workings outside his direct account. The novel makes that limit part of the clandestine experience, where participants may carry out assignments and attend meetings without knowing the full organization, its membership, or what comes next.

The Unión Nacional Española nevertheless remains important to the narrator’s understanding of his own political life. He later recognizes that he had been living as a clandestine militant since the spring of 1941, even before his formal recruitment, and that his practical contribution to resistance had mattered more than his theoretical work on the coalition’s constitution. The Ciudad Lineal meetings, which he had once treated as one part of a long and hidden existence, acquire new significance when Manolo asks him to take part in another operation against the Francoist escape network. The earlier organization becomes a precedent for resistance conducted through private contacts, observation, and trust rather than public political visibility.

The novel also sets the coalition’s cross-faction ambition against a history in which the language of security and ideological allegiance repeatedly licenses coercion. During the Spanish Republic’s final years, the narrator hears that the disappearance of Andreu Nin has inflamed POUM supporters and that illegal detention centers continue to operate despite the Madrid Defense Council’s earlier closure of the checas. In 1943, Monzón’s call for national unity presents an alternative to such factional division, although it does not erase the tensions that made unity difficult. Later, the novel describes how Argentina’s 1976 military dictatorship invokes anti-communism within the Cold War’s National Security Doctrine to justify state terror, forced disappearances, secret detention, torture, and the theft of children’s identities. This later history does not make the Unión Nacional Española responsible for those crimes; it sharpens the book’s contrast between a coalition seeking democratic restoration and regimes that claim security as a warrant for destroying political opponents and obscuring the evidence.

The organization’s defeat is also set against the narrator’s continuing sense of political and historical betrayal. When he speaks with Pablo de Azcárate and Juan Negrín after the war, he doubts that international condemnation of Franco will lead to intervention. He points to the changing account of the war, which increasingly emphasizes the Allied landing in Normandy while diminishing the Soviet campaign, and to reports that Allied officers are recruiting Nazis as anti-Soviet agents. That skepticism echoes the earlier gap between Monzón’s promise of a democratic opening and the failed military action meant to hasten it. The Unión Nacional Española stands in the narrative not as a successful government-in-waiting but as a clandestine experiment in solidarity whose aspirations outlast its immediate political defeat.